My father’s family name being Pirrip, and my Christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip. So, I called myself Pip, and came to be called Pip.

I give Pirrip as my father’s family name, on the authority of his tombstone and my sister,—Mrs. Joe Gargery, who married the blacksmith. As I never saw my father or my mother, and never saw any likeness of either of them (for their days were long before the days of photographs), my first fancies regarding what they were like were unreasonably derived from their tombstones. The shape of the letters on my father’s, gave me an odd idea that he was a square, stout, dark man, with curly black hair. From the character and turn of the inscription, “Also Georgiana Wife of the Above,” I drew a childish conclusion that my mother was freckled and sickly. To five little stone lozenges, each about a foot and a half long, which were arranged in a neat row beside their grave, and were sacred to the memory of five little brothers of mine,—who gave up trying to get a living, exceedingly early in that universal struggle,—I am indebted for a belief I religiously entertained that they had all been born on their backs with their hands in their trousers–pockets, trousers and had never taken them out in this state of existence.

Ours was the marsh country, down by the river, within, as the river wound, twenty miles of the sea. My first most vivid and broad impression of the identity of things seems to me to have been gained on a memorable raw afternoon towards evening. At such a time I found out for certain that this bleak place overgrown with nettles was the churchyard; and that Philip Pirrip, late of this parish, and also Georgiana wife of the above, were dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and Roger, infant children of the aforesaid, were also dead and buried; and that the dark flat wilderness beyond the churchyard, intersected with dikes and mounds and gates, with scattered cattle feeding on it, was the marshes; and that the low leaden line beyond was the river; and that the distant savage lair from which the wind was rushing was the sea; and that the small bundle of shivers growing afraid of it all and beginning to cry, was Pip.

“Hold your noise!” cried a terrible voice, as a man started up from among the graves at the side of the church porch. “Keep still, you little devil, or I’ll cut your throat!”

A fearful man, all in coarse gray, with a great iron on his leg. A man with no hat, and with broken shoes, and with an old rag tied round his head. A man who had been soaked in water, and smothered in mud, and lamed by stones, and cut by flints, and stung by nettles, and torn by briars; who limped, and shivered, and glared, and growled; and whose teeth chattered in his head as he seized me by the chin.

“Oh! Don’t cut my throat, sir,” I pleaded in terror. “Pray don’t do it, sir.”

“Tell us your name!” said the man. “Quick!”

There lay Lucy, seemingly just as we had seen her the night before her funeral. She was, if possible, more radiantly beautiful than ever, and I could not believe that she was dead. The lips were red, nay redder than before, and on the cheeks was a delicate bloom.

“Is this a juggle?” I said to him.

“Are you convinced now?” said the Professor, in response, and as he spoke he put over his hand, and in a way that made me shudder, pulled back the dead lips and showed the white teeth. “See,” he went on, “they are even sharper than before. With this and this,” and he touched one of the canine teeth and that below it, “the little children can be bitten. Are you of belief now, friend John?”

Once more argumentative hostility woke within me. I could not accept such an overwhelming idea as he suggested. So, with an attempt to argue of which I was even at the moment ashamed, I said, “She may have been placed here since last night.”

“Indeed? That is so, and by whom?”

“I do not know. Someone has done it.”

“And yet she has been dead one week. Most peoples in that time would not look so.”

I had no answer for this, so was silent. Van Helsing did not seem to notice my silence. At any rate, he showed neither chagrin nor triumph. He was looking intently at the face of the dead woman, raising the eyelids and looking at the eyes, and once more opening the lips and examining the teeth. Then he turned to me and said,

“Here, there is one thing which is different from all recorded. Here is some dual life that is not as the common. She was bitten by the vampire when she was in a trance, sleep-walking, oh, you start. You do not know that, friend John, but you shall know it later, and in trance could he best come to take more blood. In trance she dies, and in trance she is UnDead, too. So it is that she differ from all other. Usually when the UnDead sleep at home,” as he spoke he made a comprehensive sweep of his arm to designate what to a vampire was ‘home’, “their face show what they are, but this so sweet that was when she not UnDead she go back to the nothings of the common dead. There is no malign there, see, and so it make hard that I must kill her in her sleep.”

This turned my blood cold, and it began to dawn upon me that I was accepting Van Helsing’s theories. But if she were really dead, what was there of terror in the idea of killing her?

He looked up at me, and evidently saw the change in my face, for he said almost joyously, “Ah, you believe now?”

I answered, “Do not press me too hard all at once. I am willing to accept. How will you do this bloody work?”

“I shall cut off her head and fill her mouth with garlic, and I shall drive a stake through her body.”

It made me shudder to think of so mutilating the body of the woman whom I had loved. And yet the feeling was not so strong as I had expected. I was, in fact, beginning to shudder at the presence of this being, this UnDead, as Van Helsing called it, and to loathe it. Is it possible that love is all subjective, or all objective?